Gender (or gender identity) is not attached to the dance role (leader vs. April 2019 Montags: 18:45 20:00 Ort: Festsaal des CVJM Wien, Kenyongasse 15 (1. Strictly Tango NYC welcomes and includes everyone who wants to learn Tango.
Many music theory books and courses focus on classical music. so you know what to do when, and you can focus on your steps and on your partner when dancing. You will understand the tango fundamentals: concepts, elements, philosophy, strategies and everything you need to know to dance more comfortable Learning to analyze a piece of music quickly is an invaluable tool for a musical theatre performer. 1 - The simplest way to listen to the phrasing of the music What to listen to first when you discover a new song or new orchestra.
The course consists of 30% theoretical, 70% independently practically realized/performed parts.Learn and improve your Tango Fundamentals. After each intermediary phase the student sends the teacher a 5–10 sentence reflection (indicating also the creative phase reached in that particular moment). In the seminars the students introduce their work in progress from the first idea to three consecutive creative intermediary phases. Hence the students are asked to refelct their own creative process and become conscious of the different creative phases and stages of that process. Independent work: applying of the five form principles in exercises as well as creation of a complete work (5–7 minutes).
During seminars analysis of compositions of professional composers as well as the emerging creations of the students. Musical theatre students and performers are frequently asked to learn musical material in a short space of time sight-read pieces in auditions collaborate with accompanists and communicate musically with peers, directors, music directors and choreographers. Also introduction of different phases and stages of creativity as well as chosen compositional techniques. 33.95 5 Used from 29.95 18 New from 29.94. Introducing of basic elements of music (rhythm, meter, pitch, timbe, harmony etc.) and form principles (repetition, variant, difference, contrast, disassociation) in accordance to their applicability in composition.